Nah then, Freddy: look wh' y' gowin, deah. […] Theres menners f' yer! Te-oo banches o voylets trod into the mad. […] Ow, eez ye-ooa san, is e? Wal, fewd dan y' de-ooty bawmz a mather should, eed now bettern to spawl a pore gel's flahrzn than ran awy athaht pyin. Will ye-oo py me f'them? (Eliza Doolittle in Pygmalion , Act I, George Bernard Shaw, 1912) Forget boxsets -- after-dinner read-throughs are the height of domestic entertainment. The latest production chez Whitnall was George Bernard Shaw's Pygmalion (named after the sculptor from Greek mythology whose most beautiful statue awakens to life). In the play, a Professor of phonetics, Henry Higgins, accepts a bet to inculcate 'common', comically Cockney flower girl Eliza Doolittle with such refined speech and deportment that she is able to pass for a duchess in upper-class society. [1] As forewarned by his mother and his housekeeper, the success of this undertaking lands Eliza in somethi...